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Why are professionals all around the world working with 35mm based DSLRs and not medium format and up? The price of a medium format system is still stupid. If I’m going to drop money on a big expensive camera why piss around with a small 35mm and not just go big or go home? I don’t get shit for saying this stuff or making blog posts like this. I’ve run a few tests for myself and I have yet to see a . If I’m walking up to a scene or creating a portrait and I have a full frame with an 85mm and I want a shallow depth of field I can go to f2 or whatever. Every time I see a beautiful photograph I grab a calculator because math turns me on that much. I know I keep eluding to an upcoming post on stitched portraits and it in the works but let me say this quickly. For a great example of a photographer currently creating kick ass work with an 8×10 please check out the work of Greg Miller. It’s hard to judge subtleties when looking at images on the Internet but look at how the focus falls off in those images.

It took me a long time to save up for mine and I still have a very limited medium format kit. I don’t have a second body or back because I just can’t put the money into it. Looking at the 100% crop in the photo above shows me that every bit of detail that I need from a working camera can be achieved using an APS camera. By enough that I’m going to go all in on a Nikon D800 kit? I’m simply relaying my experiences working with all sorts of cameras in all sorts of situations. I hate the term bokeh because 99% of the time I hear people use that word they have no idea what in the hell they are talking about. If I put the full frame camera down and pick up a Fuji with the 56mm I know I’m going to get a deeper depth of field at f2 so I might want to open up to f1.2 or something to get an equivalent depth of field because two things are going on. Have you ever studied the math of Paolo Roversi (NSFW)? Stitching Fuji portraits starts to give me the feel of medium format. His work is fantastic and that 8×10 format gives his images a special extra *something* that cannot be achieved with our little tiny ass cameras. There’s a special quality to it that I’ve never ever ever seen achieved with anything smaller than a 4×5 camera.

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