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The sources available can be divided into three broad categories, based upon the media used.

The first sort is painting, of which almost none survive despite what literary sources indicate must have been a lively production.

Terracotta images survive in quite substantial numbers from many sites, despite its lack of durability simply because the production was on such a large scale.However the Kushan Empire was not a single cultural unit, but straddled at least three different cultural zones.In the north of the Empire, Bactria, those parts of modern Afghanistan, the inscriptions are usually found in Greek script and in the Bactrian language and the art shows strong influences from Parthia and the Steppe.This sort of study has revealed a huge amount about the relationship between public images and individual perceptions of beauty in modern Europe.In ancient India only the public image survives - statues, paintings, and carvings.

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