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The husbands' technological method of obtaining this "perfect wife" is through the murder of their human wives and replacement with gynoid substitutes that are compliant and housework obsessed, resulting in a "picture-postcard" perfect suburban society.

This has been seen as an allegory of male chauvinism of the period, by representing marriage as a master-slave relationship, and an attempt at raising feminist consciousness during the era of second wave feminism.

Jack Halberstam writes that these gynoids inform the viewer that femaleness does not indicate naturalness, and their exaggerated femininity and sexuality is used in a similar way to the title character's exaggerated masculinity, lampooning stereotypes.

Feminist critic Patricia Melzer writes in Alien Constructions: Science Fiction and Feminist Thought that gynoids in Richard Calder's Dead Girls are inextricably linked to men's lust, and are mainly designed as sex objects, having no use beyond "pleasing men's violent sexual desires".

Though the term android refers to robotic humanoids regardless of apparent gender, the Greek prefix "andr-" refers to man in the masculine gendered sense.

..great majority of robots were either machine-like, male-like or child-like for the reasons that not only are virtually all roboticists male, but also that fembots posed greater technical difficulties.

Probably most famous, however, is Pygmalion, one of the earliest conceptualizations of constructions similar to gynoids in literary history, from Ovid's account of Pygmalion.

In this myth a female statue is sculpted that is so beautiful that the creator falls in love with it, and after praying to Venus, the goddess takes pity on him and converts the statue into a real woman, Galatea, with whom Pygmalion has children.

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The first was produced by Sex Objects Ltd, a British company, for use as a "sex aid".While not truly artificially intelligent, the fembots still had extremely sophisticated programming that allowed them to pass for human in most situations.The term fembot was also used in Buffy the Vampire Slayer (referring to a robot duplicate of the title character, a.k.a. The 1987 science-fiction cult film Cherry 2000 also portrayed a gynoid character which was described by the male protagonist as his "perfect partner".Fiction about gynoids or female cyborgs reinforce essentialist ideas of femininity, according to Margret Grebowicz.Such essentialist ideas may present as sexual or gender stereotypes.

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